Week 1: Design as Inquiry
Dunne+Raby, Design as Author
Week 2: Tools of Investigation W. Bostwick, How (not) to write like a designer, from Core77 2 Feb. 2009
Week 3: The everyday
N. Baker, chapter one, The Mezzanine
Week 4: Steampunk and the E-Baroque
R. Onion, "Reclaiming the Machine," Neo-Victorian Studies (2008)
Week 5: Information as Ideology
Peter Hall, "Critical Visualization," in Design and the Elastic Mind
Week 7: Emergence
S. Johnson, "Introduction," from Emergence
P. Antonelli, "All Together Now!" Design and the Elastic Mind
Week 13: Massive Change
Design as Inquiry 2011 Bibliography
S. Johnson, "Introduction," from Emergence
P. Antonelli, "All Together Now!" Design and the Elastic Mind
Week 13: Massive Change
Design as Inquiry 2011 Bibliography
Week 1:
Anthony Dunne and Fiona Raby, “Design as author” in Design Noir: the secret life of electronic objects (London: August; Basel: Birkhäuser, 2001), pp. 58-73.
Week 2:
William Bostwick, "How (not) to write like a designer: 5 tricks you didn't learn in studio," Core77 (2 Feb. 2009); http://www.core77.com/blog/featured_items/how_not_to_write_like_a_designer_5_tricks_you_didnt_learn_in_studio_12363.asp
Week 3:
Nicholson Baker, chapter one, The Mezzanine (New York: Vintage Books, 1986): 3-9.
Week 4:
Rebecca Onion, "Reclaiming the Machine," Neo-Victorian Studies 1:1 (Autumn 2008): 138-163.
Week 5:
Peter Hall, "Critical Visualization," in Design and the Elastic Mind (New York: Museum of Modern Art; London: Thames & Hudson, 2008): pp.120-131
Anthony Dunne and Fiona Raby, “Design as author” in Design Noir: the secret life of electronic objects (London: August; Basel: Birkhäuser, 2001), pp. 58-73.
Week 2:
William Bostwick, "How (not) to write like a designer: 5 tricks you didn't learn in studio," Core77 (2 Feb. 2009); http://www.core77.com/blog/featured_items/how_not_to_write_like_a_designer_5_tricks_you_didnt_learn_in_studio_12363.asp
Week 3:
Nicholson Baker, chapter one, The Mezzanine (New York: Vintage Books, 1986): 3-9.
Week 4:
Rebecca Onion, "Reclaiming the Machine," Neo-Victorian Studies 1:1 (Autumn 2008): 138-163.
Week 5:
Peter Hall, "Critical Visualization," in Design and the Elastic Mind (New York: Museum of Modern Art; London: Thames & Hudson, 2008): pp.120-131
